For those of you who might have wondered what the sound of modern dwarf music is like, these examples are very good approximations. First off ‘These New Puritans’ and the aptly named ‘We Want War’. Note: big drums and almost discordant brass – all at ear piercing volumes.
We then have what has been dubbed ‘Acid Brass’, which is very close to the dwarvish style which translates as ‘head-banging’ music, as it involves a lot of, err head banging.
An excellent example of this is the ‘Williams Fairley Brass Band’s version of “What Time Is Love?”
Interestingly this is as a very close partial translation of the well-known dwarf expression: ‘What time is love as I need to get down to the pub?” Nobody has ever accused the dwarf race of being overly romantic (except other dwarves).
Nicely himself, as has been noted, finds dwarf music can get a little repetitive and is quite a fan of gnome swing bands and something with a more complex rhythm, or a good tune!
I have just completed a really great film script with a writer living abroad and it’s about – well, I can’t actually tell you what it’s about, but it’s great, believe me.
Later next month I am writing another film script. It’s an adaptation of a novel, which I am really enjoying. It will make a great film. It’s about – well, I can’t actually tell you what that’s about either.
In the meantime I’m writing a game story for a client that is absolutely fantastic. The idea behind the story is totally unique and the artwork is stunning and … I wish I could tell you some more about it.
But I can’t.
What about the series of children’s poems? Not a word from me, unfortunately.
The Non Disclosure Agreement (NDA) is a vital and necessary part of a writer’s life. So – I am told – is building your ‘brand’ as a writer. Make your readers interested in you, as a person, with information about the things you like and do.
Well, I write a lot – a lot of the time, in different areas and media. And it’s all pretty damn interesting, and thanks to the NDA I generally can’t breathe a word about any of it.
So – tonight I am going to a performance about a woman who died in 1979*. That’s about it.
I am dead chuffed that a short story of mine ‘Time’ is a runner-up in ‘The Cornish Writing Challenge’. This is the first ‘non-genre’ short story I have written for err … ages. Strangely it seems that my writing has ended up rather compartmentalised. The serious stuff (even with humour) becomes plays, while film script writing takes up a lot of my plot-heavy, action story ideas and fantasy and science fiction is dominating the book writing.
‘Time’ has no elves, dwarfs, detectives or spaceships – not so much as a single alien. I was doubly pleased then that the story found favour with the judges and I might even try my hand at more mainstream writing again! After the next 2 Nicely books get published of course.
Cornwall has always been rather a special place for me, thanks to some wonderful childhood holidays and some memorable teenage ones too. It’s the latter that provide the inspiration for the short story. Not very much to say about the childhood holidays, although Camomile lotion featured a lot! They were always magic though, so perhaps it’s not much of a stretch to be writing about magic now. Continue reading ‘Time’
Just so you know: there’s politics in my fantasy world, because there’s politics everywhere.
To which you might well reply:
“We’re overrun with politics now; can’t we have a break please? I like my fantasy to make me feel better not worse!”
Sorry, fantasy is the real world now. However, politics doesn’t have to be all bad – honest
The politics in Widergard (Wider-earth, gedit?) is different, not just because it was the elves that introduced democracy when they returned from Overseas, but because Widergard is a modern(ish) world with many different races. You know, the usual suspects: men, elves, dwarfs, goblin, trolls etc, who all now have to get on together.
That’s what politics is all about after all, isn’t it? Getting on together – or at least it should be.
You think we have problems here? Just imagine trying to draft a Race Relations Act when there are six different races? Well, seven if you count the Pix, but nobody really does – which is strange as they are some of the oldest inhabitants of all these fantasy worlds.
They don’t get a lot of press the Pix – I think writers worry about them bringing down the tone.
There is something quite remarkable waiting, biding its time, in the cellars of the UK’s Wine Society. Actually I’m sure there are numerous remarkable things in the cellars of the Wine Society and sure as Alan Sugar, I’m not going to taste any of them!
In principle the bet sounds quite simple. Professor Lewis Wolpert has bet Dr Rupert Sheldrake that by May 1, 2029, given the genome of a fertilized egg of an animal or plant, we will be able to predict in at least one case all the details of the organism that develops from it, including any abnormalities.
Sounds reasonably straightforward eh? I mean, given the rate that our understanding is growing this must be a distinct possibility. Genomics, the study of an organisms entire hereditary mechanism is a burgeoning area of research and is producing astounding results – such as the much trumpeted identification of the human DNA nucleotide sequence in 2007. Alongside genomic research we have major strides taking place in proteomics, the study of the proteome (the set of proteins expressed by any cell at a particular time under particular conditions). New advances in methodology and technology, such as Ultrahigh and Ultra Performance Liquid Chromatography (UHPLC and UPLC) threaten to accelerate the pace of research by offering higher throughput and better and ‘cleaner’ data for genomic and proteomic research.
So what’s the bet about? Is it just a case of: ‘if not then, then later?’
The Paleoanthropological Relationships That Exist in the Hominini Lines of Middle-earth like Fairylands
The current resurgence of interest in the more recent history of worlds like Middle-earth, (often classified as Fairylands) in books such as ‘Detective Strongoak and the Case of the Dead Elf’, has come at a time when academic research into the field has also never been more fertile. Perhaps the productive area of investigation has been in the understanding of the Paleoanthropological relationships that exist in the Hominini lines of ‘Fairyland’ and how they relate to what is known about our own (Homo sapiens) developmental history. This article will give a necessarily brief review of thinking in the field and highlight some of the more interesting ramifications especially as they relate to Widergard.
No Fairies in Fairyland
The name of Fairyland is of course a misnomer and harks back to a period when our limited level of understanding of the Realm lead to several suspect classifications of the Hominini species present, including the rather nebulous class referred to as ‘fairies’ – a rag-bag group which could include elves, ‘pixies’ and even gnomes. It is interesting that although current revisions have excluded this division, the name ‘Fairyland’ still remains a useful reminder that there does exist a large body of study of the realm that predates the admittedly revelational works of modern authors. Whether it’s called Fairyland, or indeed other names, places such as Widergard continue to fascinate.
The family tree of the Hominini of Fairyland is given in Figure 1. Although some parts of the relationships are perhaps more controversial and speculative than others, particularly in the dating of the divergence of the dwarf/elf branch from that of gnomes, goblins and men, in general it provides a useful framework for further discussion.
Writing recently about ‘The Prisoner’ recently I forgot to mention that Patrick Mcgoohan’s previous incarnation as John Drake, ‘Danger Man’, was known, for reasons I never quite worked out, as ‘Secret Agent’ in the USA. Probably broadcast elsewhere by this name as well – maybe.
I thought it would be jolly to have a listen to the opening credits, because ‘Danger Man’ had one of the best themes ever! All praise to the late Edwin Astley, who also wrote the theme for ‘The Saint’. No way could ‘Secret Agent’ beat that! It couldn’t, of course, but I did recognise the theme as the song ‘Secret Agent Man’ sung by Johnny Rivers and written by P. F. Sloanand Steve Barri (of ‘Eve of Destruction’ fame).
When it got to the chorus I sort of stopped and my heart skipped a beat (didn’t really).