In the days before streaming, MP3s and such like – when proper music came in vinyl that they called ‘long players’, there was something called ‘Difficult Second Album Syndrome’.
An album was another name for a LP (long player), being a number of audio recordings issued as a collection, which after vinyl’s heyday was then also used for both tape cassettes and CD collections – gosh, it’s like a history lesson!
And the ‘difficult second album’ was what they called the follow-up LP a band or singer had to bring out pretty quickly after the initial success of their debut. Usually with the record label pushing them hard! The problem referenced the fact that recording artistes had, apparently, often used up all their best ideas on that impressive first record.
Now, novels having been around a lot longer than LPs (did any classical music composers have ‘that difficult second symphony syndrome’?) you would think more would have been written about ‘Second Novel Syndrome’. Of course it must exist, after all Margaret Mitchell never managed another book after ‘Gone with the Wind’. J D Salinger rather dried up after ‘Catcher in the Rye’. Maybe it’s more success related than the actual writing?
What then can be done to get over this problem? And did I ever suffer from ‘Difficult Second Novel Syndrome’ when writing ‘The King of Elfland’s Little Sister’ (KELS)? This being the second adventure of the ‘#1 Kindle Bestselling’ Master Detective Nicely Strongoak. (Not exactly ‘Gone With The Wind’ or ‘Catcher in the Rye’ fame I know!)
The answer is no. And not because I’d already published ‘The Resolution Show’ with David Alter in between, because chronologically that was actually written a lot later.
The explanation, and the way to get round ‘Difficult Second Novel Syndrome’, is to start the second novel before you finish the first! Well, that’s what I did with KELS.
What’s this all about then? Simply put, when writing Nicely’s first adventure ‘Detective Strongoak and the Case of the Dead Elf’ I found that there was a lot of material being generated that just didn’t fit in that first book. It was either connected to events, or characters, which just didn’t belong in ‘A Dead Elf’. They were too good to waste though and I put them elsewhere (in my fester box) and gradually KELS began to take shape there.
Bottom line, I had half of this book finished before I had completed Nicely’s first adventure. This meant I had none of that ‘blank page’ problem when it came to writing KELS for real. There were a lot of other problems of course, but not to do with the actual writing.
And, guess what?
While I was getting the rest of KELS together the elements of Book 3 of Nicely’s adventures were taking shape. Now, on ‘The King of Elfland’s Little Sister’ publication day, I am delighted to announce that the first draft of Book 3 is also complete. It’s called …
Sorry, you’ll have to wait for that treat, but in putting that book together the basis for Book 4 began to take shape as well. But that, as they say, is another story.